Thursday 29 April 2010

Bitten again


I'm a Kelley Armstrong fan. Her supernatural books are my easy reading of choice; fast, funny and reasonably exciting. Plus they don't smack of desperate chaste teenage lust like some supernatural books out there. I picked up Frostbitten at an author signing in Manchester. The first I've ever attended. I was mostly facinated by the staff telling me how impressed they were with Kelley's down-to-earth nature. What are these authors normally like? Does Harlan Coben insist on only red smarties?

Frostbitten is a return to Kelley's first (and probably best) protagonist, the werewolf Elena. It's also a return to form, after the 'meh' of Broken. Elena and her wolf pack are doing what they do best; violently dealing with non-pack wolves. I think the improvement is due to the absence of the other supernatural species (witches, necromancers and half-demons) who have filled previous books. The story is purer and wilder without their cosmopolitan influence. Naturally Elena has some emotional turmoil to deal with as well as homicidal mutts, but Elena wouldn't be half as appealling without her issues. Blonde, beautiful, strong, clever, married to the werewolf version of brad Pitt, getting endless amounts of athletic sex, financially secure and blessed with beautiful children with live in baby sitting, she should be very easy to hate. Instead her worries and mistakes make her more accesible.

The book is like a ticklist of fan wishes. The introduction of new werewolves are sketched vaguely enough to wet fan's appetites, Nick finally has something to do other than look suave and Elena is back to silently muttering to herself about not being treated as a threat - but as a lust object (kind of hard when she is the only female of the species). Frostbitten is one of Kelley's best and her style really shines when she writes as Elena. I just wish that half the silly Twilight addled teenagers out there would stop dreaming of being useless Bella and start dreaming of growing their own claws and saving themselves like Elena.

Sunday 25 April 2010

Hats at the museum

I have a passion for obscure museum and there was no possible way I was going to pass up the The Stockport Hat museum. Especially when it's FREE! Well it's free if you don't want a tour of the machines, rather than wandering about yourself. I love hats, people don't wear them enough. So I actually enjoyed the historical hats on display. In paticular the 18th century lilac dandy top hats were truly vile, in every way. I wasn't so sure about all the hats for the kids to try on - my mother's voice was whispering 'nits nits' from the grave, so I passed up on the opportunity.

Who knows where felt comes from? I do! Who knows what invention started the slow decrease in the British tradition of hat wearing? I do! Wonderful museum - look what I learned. And I loved all the machinery - seeing how the felt become a gnome cap and then finally a top hat. The staff were really friendly, the interactive displays were fun and if you are interested in hat factory related family history, there is a lovely study room. Also the cafe is cheap and has the added bonus of being a charitable organisation. When I grow up I'm going to be a milliner, but for the moment I'm just going to wear more hats.

Thursday 8 April 2010

Drown the jelly babies!



The ringbearer had been making comments about another chocolatey cake, so I decided to adulterate the Sacher Torte. But what with? My efforts with gummi bears have ultimately been failures, so I decided to move onto the humanoid version-Jelly Babies. The ring bearer believed the Jelly Babies should be placed on top of the chocolate topping. I was forced to draw a line - I have no interest in decorating cakes with sweeties, I want to experiment with sweets as integral ingredients. The only reason I made a gingerbread aircraft carrier was because of the foolishness of the ship-shape, not because I deem decorating with sweets to be in anyway equivalent to baking with them. No-siree, I have standards. That said placing the JBs under the chocolate instead of the usual apricot jam filling seemed a fair sweet-involvement. So here we have it, my report on the jelly-babied Sacher torte.

1. Melt the chocolate in the bain marie. Steal several finger fulls
2. Laugh gleefully as you use the magimix to make (almost) instant breadcrumbs
3. Mix together breadcrumbs, sugar, egg yolks and then ladle in the molten chocolate
4. Prepare for the tricky bit. Fold in the beaten egg whites, stressing with every flollop of the spoon whether you have gone too far or not accounted for the collateral mixing that will occur during transfer to the baking tin.
5. Bake
6. Lovingly arrange jelly babies on top of the cooked tort. Try very hard to not place like coloured JBs together and fail. Ignore urge to check the mathematical reason for this on the internet.
7. Melt more chocolate. Steal yet more fingerfulls
8. Drown the jelly babies in chocolate. Mutter witchy chants to yourself as the little jelly babies disappear. Erroneously leave far too much chocolate in the middle.
9. Leave in the fridge

Personally I don't believe jelly babies go with dark chocolate. Strangely the green ones tasted better than any other flavour (a chocolate lime connection perhaps). I think perhaps the bitter aftertaste was the feeling that I had betrayed my initial mission towards sweetie integration. This was merely Jelly Baby insertion. The ringbearer had other ideas. He believes that the 'Jelly Babies enhanced the flavour of the cake, much like a cherry. Although some colours were better than others, especially black and red Jelly Babies', he has made no comment about the metaphysical requirements of experimental sweetie baking. He was however happy that a recent baked ham didn't come with optional sherbet lemons.