Not-so-Fantastic Mr Fox

Fantastic Mr Fox was the first book I read on my own and is very special to me. It was therefore with no small amount of trepidation that I approached Wes Anderson's version of Roald Dahl's classic book. However, I quite like Wes Anderson's movies, their gentle touch, sumptuous visuals and unabashedly slow and odd dialogue. So how bad could it be?

Well, pretty bad. Fantastic Mr Fox looks beautiful. It's just a shame that Anderson has shoved American and British culture together with little thought to his source material- one of the most British stories possible. The bad guys have British accents (awesomely played though) whilst the animals are voiced by Americans and include several animals native to America. The music is nearly all American. Anderson even takes the fantastic distinctive British stylings of Mr Jarvis Cocker and gets him to sing an American country fireside song. The British pub, town and train seemed incongruous on what appeared to be a very American countryside, whilst the dialogue was full of American terms and ideas. Did Mr Anderson think we wouldn't notice? Or was his only thought that the cultures would blend seamlessly as far as less internationally culturally aware US audiences were concerned? Why did he even bother with the small whiffs of Britain?

This is not a children's film. Sure, it lacks violence, swearing and sex , but it's dialogue - laden with adult psychology and Latin jokes is too cumbersome for children. Somehow the tale of an arrogant, cunning fox became another of Anderson's stories about a loving dysfunctional yet indie-cool American family. Not exactly something to keep the kids' attention. In extending the book to film length Anderson has naturally made some embellishments. Plot-wise these are still in keeping with Dahl's premise, but his world-building is somewhat strange. His animals inhabit a human-like world of clothes, professions and chemistry lessons, but yet the rules of this world are never fully explained or adhered to. Most annoying for me was the inclusion of Kylie, an opossum (not native to the UK) who fulfilled the standard Anderson role of platonic, odd pseudo family member. Why did soft spoken Kylie join in the raids and not -as-in-the-book- Mr Badger - an equally well developed character? In short Dahl's story lost out to Anderson's sense of style and snail pace.

Fantastic Mr Fox is a lovely Wes Anderson film about indie-American family values, portrayed in a beautiful environment, rich with style and pathos. A Roald Dahl film for kids it is not.